Seidenstraßen, Geopolitik und der Globale Süden

Dance with the dragon

China is being increasingly associated with the fire-breathing dragon, which in Western mythology was usually regarded as a monster that had to be destroyed. Such fire dragons also exist in Asia. But the East Asian dragon is an ambivalent creature with predominantly positive qualities: a symbol of fertility, of wealth, auspiciousness, goodness and intelligence – and of imperial power.

Similarly ambivalent is the brand name ‘Belt and Road’, which stands for world-wide infrastructure development, billion-dollar investments and integration into a “community with a shared future”. On one hand, it promises ‘New Silk Roads’, linking it to a historical, supposedly Golden Age of an equitable, flourishing interchange between China and Europe. On the other hand, it is being interpreted as a seductive web in which participating countries become entangled and dependent on Beijing’s power ambitions.

China’s global reach in all areas has long since progressed to the point where the dance with the dragon is in full swing. The music for it is currently being written by a wide variety of composers. One of the basic rules for this dance: don’t step too firmly on the dragon’s feet.

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